Harold Innis
Marshall McLuhan
"Technological Determinism"
Toronto School
Theory of Transformative Technology (Michael Heim)
Focus of the theory: pattern watching
affordances: what a technology makes easy
constraints: what a technology makes difficult
McLuhan:
"The medium is the message."
Refocuses of attention on the large-order effects of media as technologies
rather than on content.
"Any medium has the power of imposing its own assumption on the unwary.
Prediction and control consist in avoiding this subliminal state of Narcissus
trance. "
McLuhan, Understanding Media 1964
Hot and cool media
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Hot media extend a single sense in high definition (alphabet, print)
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Cool media are low definition, multisensory (orality, television)
Break boundary: the point at which anything accelerated past a certain
point becomes qualitatively different and reverses
"Electricity does not centralize, but decentralizes. It is like the
difference between a railway system and an electric grid system: the one
requires railheads and big urban centers. Electric power, equally available
in the farmhouse and the Executive Suite, permits any place to be a center,
and does not require large aggregations."
"The medium of money or wheel or writing, or any other form of specialist
speed-up of exchange and information, will serve to fragment a tribal structure.
Similarly, a very much greater speed-up, such as occurs with electricity,
may serve to restore a tribal pattern of intense involvement such as took
place with the introduction of radio in Europe, and is now tending to happen
as a result of TV in America. Specialist technologies detribalize. The
nonspecialist electric technology retribalizes."
The above applied in more rigorous historical detail by Walter Ong
(Orality and Literacy):
Primary orality (folk poetry) affords:
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Narrative
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Concrete, memorable images
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intimate tribal relationship with knowledge
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cool medium (McLuhan)
Primary orality constrains:
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abstract argument
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lists (except as poetry)
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accumulation of scientific knowledge (except as apprenticeship)
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technical illustration
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worship of novelty
Manuscript literacy (500 BC - 1450AD)
Phonetic alphabet represents an accurate, easily learnable system --
takes literacy out of elite status
Affords:
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complex deductive reasoning
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discussion of abstractions (justice, honour, evil, etc.)
Elaborate school system developed to train people in this unnatural art
MS literacy constrains
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stable texts
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widespread literacy
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repeatable illustration
Printing press (1450AD)
Readiness conditions:
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appropriate technologies
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paper
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metallurgy
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press technology
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phonetic alphabet
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market: educated middle class
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concentration of capital
Print literacy (1450 AD - ?)
Affords:
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cumulative knowledge (scientific/technical journals, eg Proceedings of
the Royal Society of London)
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knowledge as ownable commodity (first mass produced product of capitalism)
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stable graphic illustration
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indexes, alphabetical order
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headings, divisions, paragraphs
= "hot" high-definition medium (McLuhan)
Print literacy constrains:
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Interactivity and participation (because it's a hot medium?)
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Internalization of knowledge
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Free flow of knowledge (through commodification)
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Mythos (replaced by logos)
For McLuhan, television represents the ultimate reversal to the tribal
culture of orality
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narrative
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interpersonal
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multisensory, involving, "cool"
but (my caveats)
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still one-to-many, centre-to-margin
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entertainment media only
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little effect on archival or interpersonal forms
Webtext:
Affords:
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integration of graphics, text, sound
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easy personal publication
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rapid linking
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broad access
Constrains ... ?
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Do we lose our ability to process complex abstractions?
Can webtext sustain an argument? Or only an encyclopedia?
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Does knowledge lose its authority?
If so, how will we accumulate knowledge reliably?
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Is copyright sustainable?
If not, what will the economic driver be?
Can knowledge continue as a byproduct of capitalism?
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Does webtext continue the evolution of mass media?
Or does it subvert this evolution?
The visual incorporated into the textual: "the revenge of the text on
television" (Michael Joyce)